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Wednesday, November 4, 2026News that matters to Black communities

Druski’s megachurch pastor gets a Netflix series Dec. 1. Saturday he hosts SNL, a first for a creator

"Collect & Praise" pairs Druski with Mike Epps as the deacon, and puts a joke Black churchgoers argued about all year in front of a global audience

Newsroom · 2 min read · 0 comments
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Druski at the Essence Festival of Culture in New Orleans, July 2025
Gabriel Brooks / Wikimedia Commons, CC BY-SA 4.0

A comedian who built a following with sketches on social media will host Saturday Night Live this weekend, and within a month Netflix will release a series built around his most argued-over character: the megachurch pastor in designer clothes who never stops asking for money.

Druski hosts SNL on Nov. 7 with The Strokes as musical guest, the first host who began as a social media content creator. Collect & Praise follows on Netflix on Dec. 1. It is a semi-scripted comedy with Mike Epps as a deacon beside Druski, about two men handling “scandal and controversy while prioritizing fortune over faith,” as Word In Black described it.

The character is not a stranger to Black audiences. Druski’s January sketch showed a pastor fundraising aggressively and brushing off what congregants actually needed. It set off a debate among Black Christians about pastors’ wealth and who pays for it. Some heard an insult to the church. Others heard something they had already seen from their own pews.

The rapper Lecrae took the second view. “My first reaction was not offense, but recognition,” he said, arguing that manipulative leaders had supplied the material themselves.

That is the part Netflix is buying. The Black church is where Black communities organized, raised money and buried their dead when nothing else was open to them. It is also a place where an offering can end up paying for a pastor’s lifestyle, and the people best placed to say so are often the ones in the pews. Satire that aims at the pulpit’s finances, and not at the faith, does that work in front of a bigger room.

There is an ownership point too. The Netflix deal also covers Druski’s other programming through his company, 4LIFERS Entertainment, so the character and the business behind it stay with a Black creator who built them outside the studio system.

The test now is whether a streaming budget softens the joke. A series that keeps asking where the money goes is harder to make than one that only mocks the hats, and far more useful. Viewers find out Dec. 1, after Saturday’s audience gets a first look at the host.

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